In January 2008, The Cliff Dwellers will
begin its eighth Artists-in-Residence Program. The purpose of this
program is to facilitate meaningful artistic dialogue between younger
members of Chicago's arts community and the membership of The Cliff
Dwellers, as well as introducing these individuals to one of Chicago's
historic arts organizations. The Artists-in-Residence Program Selection
Committee invites club members to nominate qualified applicants for the
program.
Individuals between the ages of 24 and 38 who are working professionals
in one of the following artistic categories will be considered:
Architecture, Time Arts (including film, video, and sound), Graphic
Arts, Criticism, Curatorial Practice, Dance, Graphic Arts, Literature,
Music, Painting, Photography, Poetry, Theater, and Sculpture. Full-time
undergraduate students are not eligible to apply.
Individuals selected for this program
will be granted a one-year, dues-free guest membership in The Cliff
Dwellers. Resident artists will have full privileges for the length of
the program in exchange for agreeing to present one lecture or
performance, attend at least five others over the course of the year,
and display support for the club’s activities. Participants will also be
honored at a recognition dinner at the end of the year's residency. The
Artists-in-Residence programs will be open and promoted to the
membership of The Cliff Dwellers.
Membership in a private club is an
increasingly difficult expense to justify, particularly for those
younger individuals pursuing a career in the arts. Yet, for a club
dedicated to furthering the arts, a steady influx of new, younger
artists is the key to fulfilling some of our objectives. This program
was developed to allow its participants to exchange ideas with others in
the program and the membership of the club. In so doing, it is hoped
that the participants will recognize the value of the club, both as a
meeting place for artists and those with a serious interest in the arts,
as well as a valuable cultural institution.
CLASS OF 2008
Heather Boehm, Music
Heather Boehm is a native Chicagoan who began violin studies at the
age of three with Barbara Bredemaier and is an alumna of Midwest Young
Artists. She received a double major in violin performance and
music business from DePaul University and has studied with renown
violinists and pedagogues Mark Zinger, Elaine Skorodin, Joseph Genualdi,
and Ani Kavafian. Heather has performed with the Chicago Jazz
Orchestra, Lake Forest Symphony, Charleston Symphony Orchestra, Illinois
Symphony, Chicago Chamber Orchestra, Kalamazoo Symphony Orchestra,
Northbrook Symphony, New Philharmonic, and the Northwest Indiana
Symphony Orchestra. In February of 2008, Heather appeared in
chamber music recitals at the Music Institute of Chicago and the Arts at
Large noontime concert series. She was recently featured as the
solo violinist in Stephen Sondheim's Passion at Chicago
Shakespeare Theatre in the Fall of 2007 and can currently be seen as
concertmaster for Carousel at Chicago's Court Theatre.
Michelle Bolinger, Painting
Bolinger's recent works combine the language of painting and drawing
to create imagery layered with the familiar and unnameable. By
reconciling memories with objects she creates ethereal and feminine
works. In 2005, she received her MFA from the University of Washington
in Seattle.
Wesley Drake, Painting
From a young age, Wesley Drake moved frequently to different cities
due to his father’s work; which seems to be the root of the strong sense
of wanderlust that he possesses today. His travels have taken him to
China, Argentina, Italy, France, Seychelles, Puerto Rico, Mexico, Costa
Rica and more, supplying an endless source of subject matter for his
highly accomplished figurative and landscape paintings. “Travel opens
the door to discovering different cultures, architecture, culinary
experiences and ways of life that I can’t help but want to translate
onto canvas,” Wes says.
Rebecca Duff-Campbell, Literature and Painting
In her paintings and writings, Rebecca Duff-Campbell offers an
insight into her observations of the world she lives in as well as her
memories, sometimes real and sometimes fictional. Her narrative is built
through layers of scraped paint and the emotions of everyday life.
Jeff Abbey Maldonado, Painting
“My work reflects various concerns and interests from the female form
to abstract linear compositions. I may be on an ever exploratory trip
and approach art making as a form of documentation. I tend to work in
series form to explore an idea. Currently I'm working on a series of
etchings continuing from an artist residency in San Cristobal de Las
Casa, Chiapas, Mexico.”
Aliza Morell, Painting
“Looking can transcend a mode of information, to provide sensational
experience in every frame. Drawing on the tradition of landscape
painting, existentialism, and the sublime, my abstractions derive from
interactions of light, awareness of space, and color, in moments of the
shifting daily landscape that surrounds me. My imagery refers directly
to outdoor landscapes, as well as the subjective emotional experiences I
find inseparable from the phenomenon of visual perception.”
Eddy Ocampo, Dance
Ocampo’s professional performing credits include the Joel Hall
Dancers, River North Chicago Dance Company and Giordano Jazz Dance
Chicago. He has served as school director for the Giordano Dance Center
and currently directs two non-for-profit dance organizations, Forum Jazz
Dance Theatre (youth organization) and Black Box Dance. Mr. Ocampo works
have been set on such companies as Giordano Jazz Dance Chicago, Thodos
Dance Chicago, Houston Metropolitan Dance Company, Odyssey Dance Theatre
(Salt Lake City), & Kanon Dance (St. Petersburg, RU). Eddy keeps himself
busy with his independent teaching and choreography career as well as
co-directing his own production company Bento Box/Flirt Productions.
Georgia Pichinos-Anderson, Music
Georgia Pichinos-Anderson began to study music when she was six years
old. During her musical journey, she has been a part of various musical
organizations, the most recent having been a violist with the Trinity
Philharmonic Community Orchestra at its inception under the direction of
Bruce Fowler. She currently is returning to school to pursue her Masters
Degree in Teaching.